The Good Outweighs The Bad

Written for my Aunt Arlene’s 90th birthday October 10th, 2026, “The Good Outweighs the Bad” is a family legacy song about a life shaped by farm life complete with cotton fields, hay, Dust Bowl dust, Great Depression-era strength, and deep family roots. Pops’s baby daughter and my mother Melba’s little sister, Arlene has known hard times and heartache, including the loss of her son Ricky. But with Barry and Eddie close by, and seven grandkids and seven great-grandkids carrying her light forward, this song celebrates the blessing she named herself: the good outweighs the bad.

Place Called Home

A Place Called Home

A Great Depression and The Dust Bowl

My parents were both raised during the Dust Bowl and the Great Depression, so hard times were not just stories in their family — they were part of the weather they inherited. They lived inside the habits, the caution, the scrimping on things, the quiet respect for work, and the understanding that nothing on earth is promised to last, but build it like it will anyhow.

In my twenties, I found my grandfather’s deserted farm out by Cress Texas, an abandoned old farm, as I stood their recounting childhood memories, I felt a truth that they all experienced, desolation. There were still a few artifacts here and there, old things Pops and Grandma had touched, used, carried, mended, or worked hard to maintain. There were empty fields where they all had once worked, at first behind a mule and later with an antique tractor, turning soil that was supposed to feed a family and build a future–one that never came mind you. By the time I was standing there the value had vanished from sight. The labor was gone. The crops were gone. The man and his family were gone. The farm had become a sort of an very poorly curated museum, one with no visitors.

What struck me hardest was how little was left of my grandparents entire life’s work. One can pour their strength into the ground for a lifetime, and eventually the buildings sag, the tools rust, the fields go to dust, and the wind moves in like it owns the place. What remains is a vague and distant memory, some nostalgia, and a strange ache of standing in the midst of all this desolation, a place where they put their hopes and dreams.

This song came from that feeling. It’s not just about an old couple’s abandoned farm or the homestead where my mother grew up. It is about the way time shatters the glass around our memories. It is about the ghosts that linger in places people once loved, worked, failed, prayed, and endured. But maybe it’s about all of us, still walking through the fields of what will soon be a “used to be”, all the while, looking for a place called home.

A Place Called Home
I walked through the fields where the cotton grew
But the soil turned dry and the wind just blew
The ghosts round here they swing from the trees
Tellin’ stories in the night no one believes
But the sun keeps shining and the shadows stay
Every little step feels further away

There’s a crack in time where the silence roams
‘Cause we’re all just looking for a place called home
Yes we’re all just looking for a place
A place called home

A familiar face in broken glass
Reflections crumble as the years go past
There’s a heart in the rubble beating faint and slow
But the rhythm in the rows will never show
Oh the sun keeps shining and it’s raining sand
Every broken dream won’t let me in

There’s a crack in time where the silence roams
‘Cause we’re all just looking for a place called home
Yes we’re all just looking for a place
A place called home

All the roads we travel and the storms we face
Weight of the world we can’t erase
When the darkness comes and hope takes flight
Light up a candle and push through the night

There’s a crack in time where the silence roams
‘Cause we’re all just looking for a place called home
Yes we’re all just looking for a place
Looking for a place
A place called home

Blue Vermillion

I wrote this after a painful season with my daughter. I had spoken too honestly about a relationship I knew would not last, consequently the damage between us became larger than I knew how to repair. One evening I sat in a park waiting to meet her. By the time she arrived, the sun was going down and the air between us felt heavy, sad, and almost impossible to penetrate.
That is where this song lives — not in the details of who was right or wrong, but in the ache of reaching for someone you love and not knowing how to hold them. The sky was carrying its own contradiction that evening: blue sorrow and red-gold light bleeding together. That color became Blue Vermilion.
Because the blues were all over me.

Blue Vermillion
When the mountains were formed in the valley
There was a pain in the earth I’ve been told
Like the more you reach for heaven
The more it tears at your soul
And the light that shines in the morning
Is the same light that comes with the dew
And they call it blue vermilion
Cause the blues get all over you

So I reached out my hand to touch you
I reached as that hot sun went down
And I sat in the shade where I met you
In the shade of a sad willow’s crown
I cried for ten thousand reasons
And I opened my eyes just to see
Why they call these blues vermilion
Because the blue was all over me

Now heaven is mine in the morning
And it’s mine in the nighttime too
Yeah they call this blue vermilion
Because the blue gets all over you
Yeah they call this blue vermilion
Because the blues get all over you

Make It Last


Getting old with someone sounds romantic — and honestly, it is.

Joanne and I have collected a beautiful pile of moments: dances, road trips, quiet mornings, strange adventures, deep talks, little laughs, and all the ordinary magic that somehow becomes a life.

But “growing old together” has two parts. The together part is lovely. The old part can be a little rude.

This song is about that sweet and stubborn wish to slow the clock down, hold the hand a little longer, and make the moment stay put for once.

Can we make it last?

Let’s make it last.

Make It Last
I’m thinking ’bout my days as I get older
And the questions that I’ve learned from the past
How many days are left for me to hold her
All the memories seem to come and go so fast
Can we make it last?

Or can’t we just make these moments last?
‘Cause there’s days when the sun won’t shine and days that just get older
And there’s days when I have you here with me
These days I call you mine but just around the corner
There’s days when we’ll set my spirit free
Can we make it last?

Or can’t we just make these moments last?
[acoustic guitar continues fingerpicking pattern]
I need my jacket now as it gets colder
All the shivers seem to come on me so fast
These days I call you mine and though we’re getting older
There’s nowhere else on earth I’d rather be
Can we make it last?

Or can’t we just make these moments last?
Can we make it last?
Let’s make it last

Ribbons, String and glue

Interesting, I wrote a song on my keyboard about 15 years ago. It was a musical composition no words or lyrics. Then today I was listening to that as I perused some of my old poetry and I decided to drop a poem and the instrumental song into Suno… and the song above is the outcome of that interaction, modeled on my voice. I did a few lyrical edits. It was a fun collision of my thoughts and musicality via a collaboration on Suno. Amazing times we live in.

Ribbons String and Glue
the mythologies that we hold so dear
like ribbons string and glue
bind our thoughts together
held by things we say and do

Off we go Things to do Looking through that lens
To justify Those we screw Scrambling to win
Bound by losses We turn to
Our mythologies again
Off we go Things to do Looking through that lens

we hold our truths self-evident
And keep them close to heart
But the violence deemed irrelevant
is tearing us apart

Off we go Things to do Looking through that lens
To justify Those we screw Scrambling to win
Bound by losses We turn to
Our mythologies again
Off we go Things to do Looking through that lens

we hold our truths self-evident
And keep them close at hand
The harm we deem irrelevant
We’ll never understand… so

Off we go Things to do Looking through that lens
To justify Those we screw Scrambling to win
Bound by losses We turn to
Our mythologies again
Off we go Things to do Looking through that lens

the mythologies that we hold so dear
Like ribbons string and glue
Bind our thoughts together
To absolve the things we do

Here is the original instrumental version:

Stranger In A Stranger’s Body

Help I’ve Been Kidnapped
Aging has a way of changing the terms without asking permission. One day you wake up sore from sleeping, trip over your own feet, and realize you are somehow living inside an older version of the one you remember. This song is my way of laughing at that rude surprise. If you are over forty, you will probably recognize the arrangement.

Stranger In A Stranger’s Body
I woke up this morning in my room
Suffering from a really strange wound
A wound I got while sleeping
In the night dreams that were seeping
Into the wound that I got here in my room

I’m a stranger in a stranger’s body
I used to be a real fine hottie
But now I’ve gotten old
Each evening I get cold
I’m a stranger in a stranger’s body

The other day I’s walking down the street
Suddenly I tripped over my feet
I sat there on the curb
Most deaf-in-ately disturbed
I’m a stranger in a stranger’s body

I’m a stranger in a stranger’s body
I used to be a real fine hottie
But now I’ve gotten old
Each evening I get cold
I’m a stranger in a stranger’s body

You might think that’s the way that it should be
That’s cause you’ve watched too much TV
It’s happening to me
So fast that I can’t see
I’m stuck inside some old man’s body

I’m a stranger in a stranger’s body
I used to be a real fine hottie
But now I’ve gotten old
Each evening I get cold
I’m trapped inside some stranger’s body

Yes now I’ve gotten old
Each evening I get cold
Cause I’m stuck inside some old man’s body

Lap of Luxury


Circus or Freak Show?

I wrote the first version of this in 2017 watching the circus in D.C. I did not know then that the circus was only the warm-up. The freak show was still on its way.

The smiling man with blood on his shirt and a chainsaw in his hand was something I could never have imagined, then I saw it for real. That wasn’t simply the image the song handed me, it was watching Elon on stage as cold chills ran down my back – this prompted some lyric changes this year.

This one came from dread, plain and simple — the feeling that cruelty had stopped pretending to be decent. It came first for some, then for others, and eventually for all of us.
The view outside my window has not improved.

Lap of Luxury
You’ve been living in the lap of luxury
In the home of the brave
The land of the free but now
Things have changed
He said your country needs just a little surgery
A snip here and there and we’ll do it for free
Then through the door walks a smiling man
With blood on his shirt chainsaw in his hand
So now
Things have changed

Yeah they came for the Mexicans late one night
They ignored the blacks until the time was right
Then they came for the Muslims and they came for the Jews
Next thing they’ll be coming for the Christians too
Things have changed

You’ve been living in the lap of luxury
In the home of the brave and the land of the free but now
Things have changed
You know it just ain’t right
It’ll never be fair
You gave your country to a billionaire
They’ll mark you next
They’ll take your home
They listen to you as you talk on the phone because now
Things have changed

He took your heart and he’ll take your soul
He’ll take the cereal out of your children’s bowl
They warned us this would be hard to keep
But now they’re taking it away while you’re in your sleep because now
Things have changed

You’ve been living in the lap of luxury
The home of the brave
The land of the free but now
Things have changed
You’ve been living in the lap of luxury
The home of the brave
The land of the free but now
Things have changed
Yeah I said now
Things have changed
You know that now
Things have changed